mackrotonal
Poly Styrene - White Gold
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Poly Styrene “White Gold” - from 2011’s Generation Indigo.

2011’s best pop album so far was released by an iconic rock/pop/soul figure who sadly died of cancer on the eve of this album’s release. Pretending there is such a thing as ‘fate’, Fuck You ‘fate’ and the cancer you bring.

As far as the twenty-tens’ nu-disco generation ruled by the post-Killers/Rapture/Lady Gaga empire, this album obviously has an ear for that sound, as it’s the primary influence here. What’s rarer is that every song is written as a potential hit single. Some really stand out, such as “White Gold”, others are merely beautiful. The only exception might be “Thrash City” and the “Straight To Hell”/”Paper Planes” pseudo-cover “No Rockefeller.”

You will not hear the urgent and thrilling screams of Germ Free Adolescents era X-Ray Spex on this album at all.  Poly Styrene gave that sound up anyway just a year later since her first solo album from 1980, Translucence. You *will* hear the same wrapping of politics and inquisitiveness around very catchy music, however.

I’m still at a loss for words for the passing of Poly Styrene. I’ve felt married to her music at least a decade ago, when I dove hard into the X-Ray Spex and very undersized solo discography of Ms. Styrene.  Rest in peace.

Top 10 Reasons Rebecca Black is F’in Awesome…

1. Proceeds of “Friday” are going to Japan quake/tsunami relief

As reported today on USA Today, via last night’s clip of The Tonight Show, Rebecca Black is donating proceeds of the song to the victims of the 2011 Sendai Earthquake and tsunami as well as her school. It’s not clear how much of the money is going to the former, and efforts to donate money to Japan are happening on a global scale. Being an extremely lucky 13-year-old girl whose hit went viral just a day after that disaster, her (and her family’s) lack of donating would have honestly been more surprising. Then again, it was her choice to donate or not. And she chose to donate.

2. Rebecca Black is dealing with the “Friday” backlash remarkably well

It’s hard to tell how anyone would feel if his or her YouTube garnered over half a million dislikes (compared to a mere 50,000 likes) in around 10 days’ time. The fact that a 13-year-old with a dream for being a pop star is able to handle it very well is very remarkable. A week ago, on Good Morning America, it was clear that Big Media didn’t know how to react to “Friday”, given that even the safe and hugable Good Morning America gave it a very backhanded compliment. Rebecca Black’s interviewer reading her the worst of the YouTube comments was painful to watch, despite Rebecca Black not looking shattered.

3. She can sing!… without auto-tune!

In the latter clip, Rebecca Black sings a bit of the Star Spangled Banner, and proves she’s no Small Wonder. She does claim she’s neither the best nor the worst singer, which is fair. She has enough singing talent to stand apart at her school. She still has a long way to go to have a specialized vocal talent worthy of mainstream success. But she doesn’t have nearly as awful a voice as her detractors claim. That said, “Friday” is a curse, as the one-note vocal in each verse is very ill-suited to show chops in anyone’s singing and lyrical ability. That’s purely an issue with The Ark Music Factory, her producers for the song.

4. “Friday” may actually accelerate the Death Of Auto-tune

Jay-Z talked the talked, but Rebecca Black may have unknowingly walked the walk. If “Friday” continues to plateau on its current momentum, other pop songs making heavy use of auto-tune — still a pop standard today after a long decade without any innovation in this effect’s use — may suffer from being juxtaposed with this new bar, and not a very flattering one if non-ironic success is the goal. As opposed to any auto-tune filled pop hits of the last decade, “Friday” is unique in that its primary blessing, curse, and crux is its earnest clumsiness. The song has two very distinct flavors delivered in a 1-2 punch. The first is the “WTF?!!! Is this real??” reaction, and the second is concentrated sugar. The former helps spread the latter.  This segues to…

5. YouTube parodies and covers have gone viral… i.e. give up, “Friday” is catchy as hell

Many, many, MAANNNYY people have made parody videos of “Friday.”  Even the most effortless behind these parodies are lying if they can claim they can get the song out of their heads. Imagine how exhausted are those who went to the trouble of doing the death metal parody. All of these have been made from scratch and uploaded in less than two weeks. The best of these response clips is the purest one of all: a 2+ minute clip of the chorus line “Fun Fun Fun Fun” in a loop.

6. “Friday” is basically an Andrew W.K. song

Granted, such a claim may not be considered “awesome” to some, but Andrew W.K. has been able to get away with far more praise following a formula very similar to “Friday”, retroactively. Take “Friday“‘s Moon Patrol shuffle, nearly double the tempo, set the synth presets to heavy metal guitars, and replace Rebecca Black with AWK. “Friday” would have been an obvious session for Andrew W.K.’s 2001 mainstream debut, I Get Wet.

7. “Friday” completely sideblinded the music community

No one — NO ONE — would have predicted how immense the reaction to “Friday” would be, positive or negative. As of today, it’s near the 40,000,000 hit mark on YouTube, and it’s only been 11 days since the video’s release. That’s over 3.6 million hits a day. That’s over 42 hits a second! How the hell does the music community react to such metrics? In fairness, the sales of the song are likely a tiny fraction of this, so the music industry is just having a laugh. “Friday” isn’t the first song made on the cheap to become an international hit. Ask Tone Lōc. But “Friday“‘s sudden scale of success must be another embarrassment to lack of testament of the music industry’s leading heads who are, after all, hired to make music as profitable to them as possible.

8. “Friday” is eclipsing “Bed Intruder Song”

“Friday” has roughly half the hits of “Bed Intruder Song” right now. But as stated above, “Friday” got to its point after 11 days. “Bed Intruder Song” has been out for a seemingly geological 5 months. Sure, “Friday” is very likely past its peak acceleration. Still, a viral YouTube is a viral YouTube. And one this successful rarely can allow its previous one to coexist. Given the array of ethical issues in “Bed Intruder Song” — a vocoder/auto-tune pop parody of a Huntsville, Alabama news story sampling a charismatic brother of a woman who was close to being raped* — the non-controversial non-exploitative “Friday” is welcome in so many ways. (*Note: the Dodson family is receiving half of the profits of “Bed Intruder Song.”)

9. Rebecca Black replaced Charlie Sheen as the trending topic on Twitter

This is self-explanatory, with the rare exception of ticket holders to see Charlie Sheen do “comedy.”

10.

P.S. - Yes, this is a snapshot Top 10 — meaning something that only has relevance in the extreme present! It’s entirely possibly Rebecca Black, and those influenced by her and “Friday”, could change course radically. This is what happens to everybody, especially after they’re 13 years old. However, there are no regrets in the now.

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Land Of The Loops“Patience” featuring Heather Lewis (ex Beat Happening) on lead vocals (from 2000’s Puttering About A Small Land.)

Chillwave Shmillwave. There’s no discernable connection.  Slabco artists in the 90s were smart enough to filter out the fun elements of both trip-hop and indie pop, and combine them into something highly replayable — at root. From there, each artist went off within his/her respective creative vector.

Fun with genre names is fine, but let’s not drag Slabco into this particular game. The Slabco family deserve much better.

The Chap’s “Woop Woop” live in 2005, hat tip to Wendy Melvoin! Her recommendation of them in Amoeba’s “What’s In The Bag?” feature with Wendy & Lisa (posted here earlier today) was wonderful PR for The Chap.  Now I’m slightly angry that I hadn’t discovered this band FIVE WHOLE YEARS AGO.  This would have been a top pick of last decade!

No matter. “Better late than never.”  But Wendy was completely right.  Fantastic, unique pop/dance/rock band.

Straight To Video - Project: Go
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L.A.’s Straight To Video featured David Kleiler (Volcano Suns, Sorry, and more) on vocals and guitar, Curtis Bonney on bass, and Bob Fay (ex-Sebadoh) on drums. They were a great rock pop trio that, sadly, easily makes Part 2 of the “Loss Angeles” series for many unknown reasons.  Fusing the hooks of all band member’s past musical efforts with the rock-pop energy of groups like The Nerves (70’s punk pop from Los Angeles) and The Cars, Straight To Video should have become big news in the late 90s when they started gigging around town.

I caught the band live when they opened for Don Caballero in 1999.  They were much better than Don Cab that night. I was very lucky to invite them to open for Mike Watt and the Black Gang (i.e. Nels Cline and Bob Lee) at Koo’s Cafe in Santa Ana CA (Orange County) in the summer of 2000.  They were really sweet guys.  They did manage to put out a 5-song self titled demo CD-R, but I don’t think anything formally recorded ever was released.  With that, I hope the ex band members don’t mind if I drop the demo (and only) version of  “Project: Go” onto the Tumblr masses.  This is one of the catchiest songs ever written by an L.A. rock band in the 90s, and it doesn’t deserve to be lost.

倖田來未 - girls~CUBISMO GRAFICO Beach Girls Mix~
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“God Only Knows” in a J-Pop handbag techhouse pastiche.  That’s the glory of “girls ~CUBISMO GRAFICO Beach Girls Mix~” by 倖田來未 (Kumi Koda) from the “FREAKY” single in 2007.  The Beach Boys’ mid-60s to early 70s period has been the main ingredient of the Major Underground for the past decade or so.  It’s nice to hear direct Beach Boys nods used in a blatantly pop/dance fashion, especially when they’re seamless and subtle like this.